For his work Mathieu uses the folding technique (braiding, matting, weaving) to transform the
Wax fabric, worn throughout Africa and already widely distributed internationally, the Bazin,
worn mainly in west Africa, Bogolan, dyed with earth from Mali using an ancestral method, or
even Indigo, Kente from Ghana. So many fabrics that allow him to create a veritable platform of
colors, enriched with countless printed patterns, resulting in an infinite number of
combinations of shapes.
The gesture of folding calls upon volume, material and textures. Through this relationship with
the artist's intention and its execution, sensations arise. From the one who hunts, feels,
transforms and composes with the fabric. Of those who look, step back, approach, put into
perspective and abandon themselves to the repetitive patterns to reimagine the sensation of the
pieces fixed on the canvas.
Each detail of the work, each knot, each fold is an entity in its own right. In this way, the
artist questions the notion of work through the craftsmanship of fabric and its patterns.